And here’s a piece played live this summer at Rêve de L’Aborigène!
We need to find dates now, got a whole program lined up! ![]()
There’s Genesis, Led Zeppelin and Yes in there, and above all something indefinable that makes up all the charm and appeal of Volte. A huge thanks to all these musicians.
What great memories!
And this universe that belongs to you and you alone.
Oh yes! New dates, quick!
And in the meantime, how about some little videos to keep us going?
Thanks to you both!
The album will also be a chance to refine the compositions. There’s a lot of work ahead!
As for other videos, we’ll try to work on them for the album release but there’s a lot of work there too. ![]()
Your concert was awesome and congrats on the video, that’s a hell of a job!
Really cool mix of worlds and textures.
It’s surprising, especially the way the didgeridoo finds its place (that’s your job there Gauthier
).
Honestly bravo!!
The didgeridoo breaks out of its « isolation » to offer music full of blend and beautiful vibrations.
That’s great. Bravo to all the members of the group
and special bravo to you Gauthier (well because you’re the didge player in this group
).
I can’t wait to hear the rest of your productions
.
Quick side question: What kinds of festivals (independent of didgeridoo festivals) do you perform at with this lineup? World music festivals, like festival du bout du monde type of thing? Jazz festivals maybe? General « anything goes » festivals?
Thanks for your answers Gauthier
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Thanks Karl! (And Jérôme!)
To answer your questions about festivals.
That’s the whole question: how do we fit our music into a genre… And that’s where we can either struggle, or be encouraged by our originality.
It’s a bit of a double-edged sword…
But overall for now, yes it would be a « world music » festival (even though that term is pretty Ethno-Centric and not really current anymore)…
Anyway, more on that later. For now, we’re working on the album!
Yeah I agree, ultimately we all live on the same world!!
You get what I’m asking.
The idea is that once you’ve done the rounds of all the Didgeridoo festivals… what are the places that let your music (and the music where there’s didgeridoo) keep living…?
Yes, I understand your question, but I don’t frame it that way for myself. Because for me it’s still separating Tir and Lou from the world of music. In the end, your question would be more like: « What place for the musical diversity of another current world? ».
That’s a huge question!
On our end, we’re going to try to find dates in all sorts of festivals, not necessarily just didgeridoo or « World Music » ones. Ultimately, it’s mostly time that we’re going to lack to drum up interest!